Forced March

 

The day was not ideal -but was it ever going to be? I mean, at least the wind was a breeze and the temperature above 30°. As far as I could tell it was the best day out of the following ten or the previous three. Sleet and graupel, thunder and lightning, snow, wind and temps dropping to ten degrees forced me to plant in the snow on a day more like March than October.

 

 I tilled last Sunday before I knew for sure what was coming and that tilling modestly displaced the snow so that I could mostly make out my rows. The little hump in the top center is a few kale I left in place should things change and another few leaves can be eaten.

Despite the drought this year, several heads of garlic sized up well and even when they didn't, there were plenty of large cloves. Above, Porcelain variety named "Music," a well known large garlic. My other Porcelain is the strain known as "Armenian."

The real trouble was the snow drenched soil which, as the image of my wheel dib should tell, clung hardily to my gloves and glued the cloves large and small to it! The weight of the accumulating goo slowly pulled my glove away from my fingers, disabling dexterity and my attempts to push the glove back with the slick left handed glove were fruitless. The soil, wet and cold, clung to soaked gloves made for cold hands, but that was the worst of it. I completed the project in a scant three hours if I cut the clove popping done in the morning from the calculation.

 

I’ve reduced my garlic count this year to about 500 -my lowest count since my first year growing garlic. At the end of the day, the patch looked like I had a fight with a tub of Oreos cookies and cream, but was glad to be done and not out there today or any of the days to come. 

 

I still have, ahem, a few projects sitting unfinished under snow. I'm holding out for a brief warm up that I tend to think will come whenever the temperature drops so incongruous with the season. So, some porch work this November, or if I am lucky, just before Halloween? Scary thought is how many things sit under the snow that were near completion or that I thought I could get to, but simply couldn't, by dint of weather and age.

Unbuttoned

November 11 -a bright, sunny, and cold day. One month ago, on October 11, we had our first snowfall. Yesterday's snowfall ushered in the coldest air of the autumn. We bottom out tonight in the low single digits, but we are at 12° F this morning. There is a brisk wind, so we feel chillier than the temperature might indicate. On November 11, 1940, Minneapolis received 16 inches of snow in a surprise storm -forecasting wasn't as precise back then. In 2005, the temperature soared to 64° F on this day while 1986 had Minneapolis bottoming out at -1° F.

The many lakes of our area are open water -not yet a skin of ice on them, despite two weeks now of well-below freezing temperatures. The other day a man near Cambridge, Minnesota, not quite an hour north of downtown Minneapolis, thought it cold enough to try his feet on ice that had formed on Skogman Lake. Based on my observations, here, the ice couldn't have been more than an inch or so thick. If you've been to the lake in Prospect Park, Brooklyn, you'll notice the ice ladders stationed around it in winter. I recall watching a father and child shuffle out on the ice one day. Tragedy was averted thanks to someone more vocal than myself, whose hesitancy requires some introspection on some other day. Minnesota doesn't know what ice ladders are and I will never know confidence on ice.

As October rolls out into November, I need to have a flexibility never required by my ocean-tempered, Atlantic coast activity. We don't always have what we need, do we? Curiously, the post I just linked to, above, finished with this sentiment:

"I've grown accustomed to winter, finding solace in the recess of growth and decay. As much as I think of a new season's garden, of tomatoes and greens, peppers and garlic, it's always too much. I aim to accept what can be done and what can be done, well."

Now that winter has come to occupy an additional three months of the year, my experience of its slippery possession is that of prey who's frantic contortions allow a brief but futile escape from the quickening claws of no longer. A winter, fast, I accept like death, but with a consciousness of afterlife that offers a view to the world I no longer inhabit, a world perceivable through the bright scrim of slow-moving molecules. 

Buttoned

Box store bulbs, fifty percent off, needed unfrozen earth to plant in. With this trouble, those bulbs should have been 75% off, no? Despite two weeks of frozen temperatures, I laid rumpled plastic, held down by bricks, over a patches of bare soil. When I planted on Saturday evening (yes, this dark at 5:00 pm), the soil was pliable under my coverings. Tulips and miniature iris -good luck!

Outdoor plants brought in for winter. Potted, pruned, and placed. Now, only fungus gnats, aphids, and watering to think about.

Unbuttoned

A hanging plant frozen in its basket

The vegetable beds, tangled, leafy, and snowed upon.

Remaining siding from this summer's window and siding replacement projects. I will do some of this indoors and wait for that forty degree day to come.

The rocks. In this location, under the replaced siding and adjacent to window wells, the builder had placed Hydrangea arborescens, you know -the spreading kind with giant flopping heads. Three Minnesota hardy azaleas were placed around the bay-type window to the left. Around the base of these, one and one-half inch St. Cloud granite (gray/pink/black coloration). In order to fix the siding and the kick-plate below it, the roots, the rocks, the clay, and eventually the plastic that laid deep beneath it all was removed. The hydrangea were removed a few years ago to make the driveway border. 

Many rainy days embedded the granite rocks into the black clay earth. After grading the soil to a proper slope, replacing the edging, laying new barrier fabric and sheet plastic to shed water, the granite is only partially replaced. It is frozen to the soil, now, but it also requires pressure washing to remove the clay, which will not happen until spring.

Despite the snow and the freezing, I am still working on a few outdoor things, like gravel around the apron of the studio and cobble edging to contain it, possibly some tree felling, and rebuilding the lattice that sits beneath the front porch. Given the early depth of cold, twenty to thirty degrees below average, isn't it yet possible that we will see ten to twenty degrees above average?


 

Summer

Minimally sprawling, open pollinated cucumbers named Little Leaf -from Fedco Seeds. Well, they sprawl less than the Burpee cukes that went in last year, but if it weren't for some clever trellising, the would certainly have sprawled into the paths. They are now supplying about ten cucumbers (picklers) a day. In front, peppers and eggplant; both late producers. Behind, trashy solutions.

The plastic is in place to take out the creeping charlie. It will be removed in late August (late August is so close!) to put down sod. Why sod? The mat keeps out the weeds and minimizes a return of charlie. Here, where the planters were last year, we've had many seedlings of last year's vegetables. Growing up in a cool, moist winter climate, I'd never seen tomatoes sprout from last year's fallen, but in Minnesota's freezer like conditions -the seeds don't rot. We've got several of these in the plastic zone and many more were planted out at the neighbor's farm (where I keep the garlic -which is nearly all harvested).

Adjacent to the tomato is a snapping turtle's nest of eggs to be hatched, we hope, sooner than later. Betsy wants to leave a patch of soil for the mother turtle to return to yearly -but I'd rather it not be in the middle of the grass I'm about to plant. I suspect she'll find the bare patch of soil if I leave it nearby. Funny thing is that I never see any turtles around our place -yet I know there is a giant snapper living out there, somewhere, and then two dozen or so babies head towards the wetlands in fall.

The hydrangea -floppy top. Heavy, as soon as the first real rain hits them, over they go. This year they have been eaten by the deer, pom poms and all. Sometimes they enter the vegetable garden for a second course, should they not get their fill on hydrangea. They've also eaten down the thorny, climbing rose on the trellis -leaving only a full top above their reach. They eat tomato vines, cucumber vines, even buckthorn this year. At my neighbor's garden, they've not only pruned my tomatoes to an even sixteen inches and peppers to eight, they've consumed his giant pumpkin plant -spines and all, a first. They haven't touch the dino kale, potatoes, and garlic.

In summer, gardens do their thing -as do we. This year it is a medley of siding, painting, customer projects, teaching, and exhibitions. I see the work to be done in the garden and it must wait. Seedlings in trays suffer my inattention -yet I keep my eye on these things just enough for them to tug at my desire to do more than is humanly possible.

The front garden is being encroached on by the woods, particularly younger maples that quickly shade out sun loving plants. Oaks and ironwoods do not do this. It's hard to take down living creatures, but the maples will likely meet the chainsaw come late autumn -after I pick up a new chainsaw. The old Stihl croaked last year as I cleared a fallen maple from a path.

Around that front garden is a retaining wall into which I have been ever so slowly moving large stones. The soil is miserable under road bed stuff from last year's gravel driveway rehab. I've got compost to add to the mix, over there, in the shade, now two years old, waiting for my attention and a shovel. Afterward, maybe in autumn, plants will be re-organized to deal with the expanded garden.

One of two woodland edge prairie-savanna hardly-gardens I planted after the studio was finished. These change every year. Without a supply of fresh black-eyed susan seed, it looks rather green. Prairie seed mixes can be rudbekia lush, but the plant tends to diminish once shaded out by perennial grasses and forbs. It's a biennial, so the third season the profusion is limited to small, fuzzy leaves -often at the edge of where they showed up en masse the year before. Each season different plants dominate -this year will no doubt be asters and goldenrod, to the point at which I will likely be thinning them out. Lavender-colored Monarda fistulosa in the background.

The second prairie-savanna garden has a dumpster in front of it, so no pictures of that this summer. The dumpster takes in insulation, wood, old rotting siding and a window or two. I've been replacing siding, piecemeal, every warm season as I convert the house from the pukey-pink paint you can see in the background, above, to the umber-magenta grey visible in the foreground. This garden, along a path from a back door to the studio, is hosta-heavy, magically invisible to the deer thus far.




The brilliant, but less prolific (in these drier conditions ) than I wish American Bellflower, Campanulastrum americanum, is blue-purple in the background. To the left, the very prolific Blue Lobelia, Lobelia siphilitica, about to bloom and a black-eyed susan that found a way to full form.

A Prelude to the Understory

After two full seasons of intensive looking, I still find unfamiliar plants. Sometimes I photograph, sometimes I pluck a specimen (depends on the quantity). A fraction of those make it to the concentrated search for identification. Of course, identifying a plant isn't always remembering it, and that takes something more: a drawing perhaps, a meal, maybe, or some other triangulation of anchoring interactions that commits a new identity to memory.

Mosquitoes in the dark and damp woods can make any phone photographer's shot a blur. When in doubt and plenty, pluck a branch, preferably in flower. If you can get to it quickly, bring the pluckling to your computer. If you can't, photograph it on the hood of a car, and get to it later. Here, a plant that beguiled me through the garlic mustard harvest. I now know it as Canadian Wood Nettle, Laportea canadensis.

Above, a plant that must've been easier to miss across prior years in a dark woods. Now, freed from other obsessions, I saw it everywhere, understory. It's form is suggestive of both invasive species and Eastern Forest native, a counter distinction to the many invasive forbs that to a degree appear "out of place" in our woods. Awareness of such differences is both a product of experience within the Eastern Forest, but also a diminished plant blindness.

This "new" plant was challenging due to its small white or maybe green-yellow flowers, its casual umbell, and my age-induced farsightedness. The umbell, trifoliated habit, and seed tipped identification toward an anxiety-producing, naturalized reversion of Aegopodium podagraria, goutweed or bishop's weed to you and me. We have two large colonies of goutweed on the southern slope, but something wasn't quite right about this ID. I had to dig deeper. I had to zoom closely on the seeds, had to engage with leaf sheaths, and most importantly, I had to learn to see double serrated leaves. Those cues in hand I was able to find this plant's true identity: Canadian Honewort, Cryptotaenia canadensis. Why this subtle plant has a name composed of "hidden" and "tapeworm," I do not want to discover.

Sedges fill a minor savanna between the road to the east and the house to the west, the little wetland and great wetland bounding it on the north and south sides. Oaks used to dominate this dry mound, but basswood and maple are encroaching.

Oaks die or fall in storm winds, as this large one had two summers back. The oaks, when dominant, create a canopy pierced by sunlight, an environment the sugar maples do not provide. The understory is complex; already colonized by sedge, ephemerals, and a lower dose of garlic mustard than is typical in more moist, down-slope locations. Maybe the clearing's relative isolation has allowed more native species to proliferate than in other tree-fall clearings nearer the house and adjacent, cultivated properties.

I was overjoyed to spot a strongly growing specimen of poke milkweed, Asclepias exaltata, a foot from the fallen oak. I tray-planted 50 seeds of this less common milkweed last year. Only six sprouted, then five took faint hold along the edge of our septic field; five that have since been moved to the new, mostly shady clearing behind the studio. I've decided that poke is not as easily grown as swamp or common milkweed, but it is the only milkweed common to shadier, woodland locations, and I'd like to have some growing out there. Maybe I will try again, next year.

Although I intended to keep the mound of fallen oak and poke milkweed clear, time and garlic mustard always seem to get away from me. Askance of plans, among mosquitoes excited by a coming storm, a moment was wedged to clear any observable, green seedpod-bearing garlic mustard. As the lightning became daylight visible and thunder claps louder, I decided to discontinue what is always an ever expanding circumference of mustard weeding. Today, nearly all remaining second year garlic mustard is yellow fading into beige. Seeds by the thousands are lined up for distribution on sites already occupied by thousands more. If a rift in time should open, I will get into the woods, shod in mosquito net cap, to clip and bag the drying stems from areas newly colonized.

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I spend a fair amount of time identifying plants: weeds, natives, and cultivated for myself as well as others. Texts roll in with pictures of pokeweed or Fallopia japonica, multiflora rose and daylily. Most pictured plants are easy to identify because most are coming from yards carved out of the Eastern Forest. In them are cultivated plants or common weed species of Eurasian provenance. In making yards -clearings designed to lessen our work (ha!), lower our exposure to pests, and provide a platform for leisure, we offer opportunity to ambitious plants.

In the process of putting up our studio building, I created about two thousand square feet of opportunity. The area is now covered in subgrade clay over topsoil because when we dig, what is beneath ends up on top. Many desirable plants won't flourish in this subgrade soil, but the adventitious do. Given my positive experience growing native milkweed, I ventured to grow several native plants for the sunnier part of our studio clearing before the weeds take hold.

I imagined a medium height grass and forb savanna underneath the tall basswood on the south side of the building and under the red oak on the north east corner. I winter seeded Prairie Moon's short grass inexpensive seed mix and savanna enhancement mix, both of which had some species from their exposed clay mix. Sowing seeds felt like leaving too much to chance, so I also stratified hundreds of individual species seeds through winter, then cell tray planted them in April. But, an unexpected hot greenhouse day in early May boiled many of my seeds laying patiently under their moisture-preserving cellophane wrap. Most were lost, although some did sprout near the cooler edges, and those are now large enough to be potted up.

Growing native plants from seed is not always easy. Cultivated plants have been bred and selected for viability, commercial or otherwise. Natives, however, maintain their original, sometimes fussy seed-sprouting needs. Multiply cold, heat, or cold and heat by time, then add light or darkness, subtract or add moisture, and you may have a formula that produces a native sprout. I have several more young native plants to pot up, and at least 50 clumps of grasses (mostly blue grama, side oats grama, but also a few rattlesnake and prairie brome) in need of the same. Before planting these in their final places in mid to late August, I will till in a portion of the ten cubic yards of compost mix we had delivered last month. This may give the native plants a fighting chance among the highly competitive weeds.

Some of the remaining compost will make it into raised planters I have been building. Below is one of two I have placed around my already growing potatoes -the only vegetables I got in on time this year. As they grow, I have been adding compost mix. When all is done, there will be eight raised beds, a prospect I am quite happy about. Two years of growing vegetables in beds surrounded by the lawn and excessive summer rains have led to lawn that is nearly seventy five percent creeping charlie. The other twenty five is clover that co-existed nicely with the grass. Raised beds will be easier to work, weed, plant and harvest, but most of all I appreciate the architectural structure they add to the vegetable garden on a small front lawn (of creeping charlie). For all my interest in wild-ish native planting, I still like the perception of order in the vegetable patch.

Of The Many Signs Of Spring

 

The birds are back, big and small, and the weather a swinging ride. Mid seventies two days ago, last night a snow fall. Garden garlic is popping up, early varieties first. Ticks are up and about in the weedy reaches of the woods and the chorus of frogs singing every day, but this one. Ramps are up as well as some unwound bloodroot.

I have a rapidly thickening list of projects to tackle, the least of which is garlic and lawn's corn meal (nitrogen), lawn seeding where it had been turned to mud last year by heavy equipment, till, add compost, and plant potatoes received from Seed Savers, plant the native seeds stratifying in the fridge, chainsawing, chainsawing, chainsawing.

There is so much garlic mustard in the woods you'd think I didn't pull thousands of plants last year. I've tried to enlist the local scouts to help this year, but I have yet to hear back. There is much much much buckthorn, and I am blazing a new trail to get around the permanent inundation in the back slough, a trail that opens up the cedars and an unusually placed, young apple tree. There are bridges to repair or replace in every corner, all which will find their way onto the business page.

I have three or four or five art projects running. Just came back from New Mexico where I was making images of space over the border, another dealing with athletic fields, yet another of artists situated in landscape, and of course, Phenology.